The Three Waves of Hollywood Immigration
Wave One (The Pioneers): 1910-1931
From the earliest days of American motion picture production a more-or-less constant stream of Austrian, German, and German Swiss emigrés has crossed the Atlantic to influence the cinematography, acting, directing, set design, music and other aspects of American cinema. Some, such as the German Carl Laemmle (1867-1939) who founded Universal Studios, and the Austrian Marcus Loew (1870-1927), co-founder of the MGM studios and the Loew’s theater chain, were present almost from the beginning and played a significant part in getting Hollywood’s infant industry off to its start.
The flow continued in the silent era boom of the 1920s. And it was not always in one direction. A few Americans, most notably actress Louise Brooks (1906-1985, Pandora’s Box), were successful in “the other Hollywood” in Berlin. But the German director Ernst Lubitsch, the German actor Conrad Veidt, the German-Swiss director William Wyler, and the Austro-Hungarian director Michael Curtiz were just four of the very successful film people who moved from Europe to Hollywood in the 1920s. Marlene Dietrich arrived in 1930 with her star director, Josef von Sternberg, with whom she would make a series of Hollywood films.
Wave Two (The Exiles): 1932-1945
From about 1932 on, the flow became a flood. Almost all of the emigrés of this period were forced into involuntary Hollywood exile by the horrible events created by the Third Reich. The Nazis drove some of the best film talent in Europe out of Austria and Germany to France, England, and with few exceptions, eventually to Hollywood. Some of the new arrivals thrived in the American film capital and went on to fame and success. This group includes such notables as the Austrians Fritz Lang, Billy Wilder, and Peter Lorre (See photo below.).
Wave Three (The Contemporaries): 1946-Present
In recent years Hollywood has continued to act as a strong magnet, drawing the German directors Roland Emmerich (Godzilla, Independence Day, The Patriot) and Wolfgang Petersen (Air Force One, The Perfect Storm), cameramen such as Michael Ballhaus (Air Force One, The Departed) and Karl Walter Lindenlaub (Rob Roy), not to mention the Austrian Arnold Schwarzenegger (1947- ), or the German film music composers Hans Zimmer (Rain Man, The Lion King, Gladiator) and Berlin-born Christopher Franke (Universal Soldier, Tarzan and the Lost City).
A Fourth Category: Germanic Heritage
They didn’t immigrate, but another group in the German-Hollywood Connection is made up of American-born film people whose parents or grandparents came from Germany, Austria, or German Switzerland. This group includes some very famous people in Hollywood, including Fred Astaire (Austerlitz, Austrian father), Lauren Bacall (Betty Perske, German-Jewish ancestry), Sandra Bullock (German mother), Doris Day (Doris Kappelhof, German ancestry), Leonardo DiCaprio (German mother), Kirsten Dunst (German father), and Renée Zellweger (Swiss-German father).
Others have influenced Hollywood through their work, even though they remained in Europe (German filmmaker Leni Riefenstahl being a notable example). In one way or another, many Austrians, Germans and Swiss, past and present, have contributed in some significant way to what moviegoers all over the world see on the silver screen.
MORE > German-Hollywood Connections
Related German Way Pages
- Film Studios in Hollywood and Germany
- German Films - From the silent classics to the present
- The Berlinale - Germany's biggest film festival tales place every February
- German Cinema - From the German Way book
- Famous Germans, Austrians and Swiss
- Famous Graves - The graves and cemeteries of the famous
MORE > German-Hollywood Connections
|Find a famous person poster!|